The Climb Dev Diary 2: Ascent is live

In our second dev diary, key members of the team behind The Climb talk about some of the challenges of creating a beautiful game in VR and how they overcame them.

Hitting 90fps, and the intense level of close-up detail required for a believable VR experience are all covered, alongside some absolutely delicious gameplay footage.

Creating a AAA quality game in VR comes with its own unique set of demands – check out the video and find out the new techniques and processes the team had to adopt to achieve their vision.

The Climb Team

March 22, 2016

The Climb 360°: Bay Ascent

A climber's reward is the journey – and the view from the peak. In our new interactive, 360-degree video, you can preview the ascent in The Climb's Asian-themed Bay level and check out the jaw-dropping view. You'll have to try it on Oculus Rift to get the full experience, but by clicking on the arrows in the video's upper left hand corner or dragging the cursor across the screen, you can get a look at all 360-degrees of the Bay panorama.

Join the flocks of birds soaring leisurely above the pristine azure water as the camera takes you past some of our climbing routes and checkpoints, lush vegetation, and intricate buildings. Hundreds of feet below, the colorful island buildings appear as crumbs scattered at the feet of the towering limestone giants on the horizon. You can even look down – if you dare.

March 02, 2016

Moving level design up in The Climb

By Matthias Otto, Senior Level Designer

The Climb is the first free solo rock climbing game, and it gives you a sensation of really climbing that could only be achieved in VR. But as much as we want you to explore and enjoy the view, at its heart, The Climb is a racing game. You're scored on a few things, including your climbing “flow," but the most important metric is your time and how quickly you can ascend each of our stages. You'll be competing against the rock face, against yourself, against your friends, and ultimately against players around the world as you attempt to get the quickest time possible.

So when it comes to level design in The Climb, we want to give the player plenty of different routes and a variety of challenges, which can all drive that competition. Each stage has multiple routes – whether it's upward, downward, left, or right – and there are plenty of hidden routes too. After all, if you only had one path it would be like playing a racing game without shortcuts.

The first level we created was Bay – our Asia-themed setting. At first we looked at a lot of reference material to find unique geographical features to climb around, so we'd have caves and cracks that were recognizable features you could talk to your friends about. But to start actually laying out the level, we just entered VR and put ourselves in the game. From a starting point, what would look cool? When I looked up at the rock, what kind of challenges would I like to face, what would be the most exciting and the most interesting? We continued that kind of testing as we progressed through each level – constant testing is way more important in a VR project than in a traditional development.

Our rock faces are very detailed and natural looking to maintain immersion in VR, but we were conscious that we needed players to easily understand where they could climb. To help you choose your paths, one of the things we do is leave chalk marks on some of the grips ahead, so you can recognize routes. That said, some of our secret routes are very well hidden and not signposted in any way, so the more you explore and look around, the more routes you'll discover.

Our routes also include a lot of jumps for real risk-versus-reward gameplay that the quickest climbers will take advantage of. Whether that's leaping from one grip to another or, if you're climbing down, letting go of one grip and then dropping to a grip below, these jumps and drops create really fun and intense moments that you'll want to master. You might be able to take a safer route, going from grip to grip, but if you want the quickest times, exploiting jumps and drops will really give you the advantage.

Another interesting feature when it came to designing the levels was the crossing of hands. As you climb, if you cross your hands, as in real life, your reach isn't as long as it could be if you don't. If you want to climb quickly and smoothly, you'll want to keep that in mind. We guide you with some layouts of grips early on where you'll want to have a specific hand free at the end. That's a skill that builds over time. You get to a point where you'll start to see a range of grips ahead, and you'll choose your path instinctively. For instance, if there's a jump that you can see ahead of you, you make moves that mean you end up with the right hand on the right grip at the end, putting you in the best possible position to make the leap. It becomes quite natural over time.

“By providing combinations of grips, multiple routes, jumps, drops, and features to negotiate you really have a lot of variety in gameplay. That variety leads to intense competition, as we discovered during playtesting. For instance, you might think you've done a great run, and then someone will use a different route you hadn't considered or just use better technique to record a much faster time. Then of course, you've just got to beat them."

Designing our layouts has been really exciting. In a way, it's like learning a new language to create a timed version of a sport that doesn't really have this kind of competition in real life. Across our locations we have a wide variety of challenges, and as you build up your skills in the game you'll be climbing smoother and quicker as you pursue your best time – but we always hope you'll be able to enjoy the view too.

February 15, 2016

Putting routes on rocks

By Matthias Otto, Senior Level Designer

I love climbing and every week we go indoor climbing in Frankfurt. I started to think about the way I climb – I look ahead at the surface, look where the grips are, and then I go from there. It came to mind that it would be a fun thing to try out in VR, and that it would be something we could quickly put together in CRYENGINE. So I discussed it at work and spent a couple of days putting together an initial concept. The team later came together to improve and polish it massively, but the concept just worked. That core thing where you just grip with your left hand, grip with your right hand, and look around with your head – three simple things to get up a surface – felt immediately great in VR. And that simple mechanic remains largely the same today as it was in that first prototype.

Of course, we've come a long, long way since then. My role is Senior Level Designer on The Climb, and it's been great to be part of a team that is creating a full VR game with real depth and challenge. At first, the focus was more on system design than level design. In VR, it's not easy to get movement right. For instance, using regular inputs like an analog stick which accelerates the player in a given direction can make people feel nauseous. We had to be careful and constantly test to address motion sickness. An idea you're exploring might seem sound in theory, but when you implement it, it could turn out to be uncomfortable.

Even when you try something, and it doesn't quite work, it's still useful; it guides you and sparks new ideas. Once we had established what kind of movements would give a great experience and, crucially, would not give the player any kind of sickness, it helped steer us when it came to laying out routes on rocks.

For example, we found that while players can “fall" in the game, the sensation of players falling onto a surface – most obviously, the ground – was unsttling. So that fed into the level design. We now build the levels high up so that when you fall the screen fades to black before you ever “hit" a surface. You still get the feeling of falling, and it's tense, and exciting. You get that rush of the drop, and you hear the sounds too, but if we just dropped you right onto a surface, it could make you feel quite sick. Our levels always begin high up and you never have a short drop beneath you, even if you're climbing through a cave or a crack in the rock.

Another consideration was physiological stress. Although you are in control of the camera and can look anywhere, we find that you naturally look in the direction you're climbing most of the time. If you were to only climb upward over an extended period, that could cause some discomfort. To prevent neck stress, our routes are designed with plenty of variety - you will climb upward, left, right, and even downward too. In addition to maintaining physical comfort, this also allows us to be more creative when it comes to designing our rock-surface layouts. We'll talk more about designing our routes in the next blog.

It's cool to be part of a team developing one of the first VR games people will play. The Climb has a simple game mechanic, competitive elements, looks beautiful, and it's an experience no one has really had in VR before. Of course, I still climb indoors every week. It's great to have a bit of competition with my friends, and it's always fun to reach the top. I have to admit, I am still a little bit afraid of heights in real life, but in The Climb you can do things you would never attempt, even though you get that realistic sense of vertigo. It's really satisfying to see how we're harnessing some of those mechanics and feelings of real-life climbing and taking players to new places with it.

February 10, 2016

Meet the team behind The Climb in our debut Dev Diary

The Climb brings alive the exhilaration and intensity of free solo rock climbing. However, the process of creating the game is a real team effort.

With that in mind, today sees the launch of the first video in our new developer diary series, in which some of the people leading our expedition into VR with The Climb share their insights into the project.

You'll hear about how real rock climbing helped to inspire the game, and why even the earliest prototypes of The Climb had everyone convinced we were on to a winner. The team discuss those moments that really set their hearts racing, and you'll learn about the new mindset required for creating a game in VR.

Check out the video and find out why the team behind The Climb are calling it an “intense" experience which ensures that “if you want to know what it's like to climb a cliff face, you're actually going to get that feeling."

The Climb Team

February 05, 2016

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